Composition: where to put things in the frame
Two people can stand in the same spot, with the same phone, and come back with very different photos. The difference is mostly composition: what's in the frame, what's left out, and where things sit.
The idea
Composition is about guiding the eye. A viewer looks at a photo for a second or two. A good composition tells them where to look first and doesn't give them anything to trip over on the way. A handful of habits get you most of the way.
1 · Put the subject off-centre
Imagine the frame split into thirds, across and down. Placing the subject on one of those lines, or where two cross, usually feels more alive than dead centre. A horizon on the lower third gives the sky room; on the upper third it gives the land room.
2 · Keep horizons straight
A tilted sea or skyline is the easiest mistake to spot and the easiest to avoid. Unless the tilt is clearly deliberate, keep it level.
3 · Simplify
Before you press the shutter, look at the edges and the background, not only the subject. A pole growing out of someone's head, a bin in the corner, a bright sign behind them. Take a step to the side, get lower, or move closer until they're out of the frame. Most strong photos have fewer things in them than weak ones.
4 · Get closer
If a photo feels empty, you were probably too far away. Fill more of the frame with the thing you care about. Walk up to it rather than zooming: moving changes the relationship between the subject and the background, and zooming doesn't.
5 · Change your height
Most photos are taken from standing eye height, which is why most photos look alike. Crouch to a child's or a dog's eye level. Hold the phone low to the ground for a street or a puddle. Shoot down from above for food and patterns.
In Chobial
- Grid and level: open the controls and tap DISP. Grid draws the rule-of-thirds lines. Level draws a horizon line that turns orange when the phone is straight.
- Frame shape: tap FRAME and choose 4:3, 3:2, 1:1, 16:9 or 65:24. The viewfinder darkens what's outside the frame. The whole sensor is still captured, so you can change the shape later with Crop in the editor.
- Lens: tap a zoom in the lens pill above the shutter: 0.5×, 1×, 2× and so on, depending on the phone.
Ten frames of one thing
- Pick one ordinary subject: a mug, a bike, a tree. Turn on Grid and Level.
- Take ten photos of it, each different: dead centre, on a third, from very low, from above, very close, with a clean background, with a busy one, in 1:1, in 65:24, and one wild card.
- Look at them side by side in the Library. Pick your favourite two and ask what they have that the others don't.
Last lesson: the thing every photo is made of, light.
Questions
Do I have to follow the rule of thirds?
No. It's a starting point that helps you stop putting everything dead centre. Symmetry, a subject in the middle of a wide empty space, or a subject pushed right into a corner can all be stronger. Learn the rule, then break it on purpose.
Does choosing 1:1 or 65:24 throw away part of the photo?
No. Chobial keeps the whole sensor. The frame lines show you the shape while you compose, and you can change it later with Crop in the editor.
Which lens should I use?
The 1× is the most natural and the best in low light. The 0.5× exaggerates depth and suits interiors and big skies, but stretches faces near the edges. 2× and longer flatten a scene and are kinder for portraits. Zooming with your feet changes the photo more than any lens.