Photography basics

Composition: where to put things in the frame

Lesson 7 of 8

Two people can stand in the same spot, with the same phone, and come back with very different photos. The difference is mostly composition: what's in the frame, what's left out, and where things sit.

The idea

Composition is about guiding the eye. A viewer looks at a photo for a second or two. A good composition tells them where to look first and doesn't give them anything to trip over on the way. A handful of habits get you most of the way.

1 · Put the subject off-centre

Imagine the frame split into thirds, across and down. Placing the subject on one of those lines, or where two cross, usually feels more alive than dead centre. A horizon on the lower third gives the sky room; on the upper third it gives the land room.

Subject Horizon on a third 4:3 3:2 1:1 16:9 65:24
Left: the thirds grid. Right: the frame shapes Chobial can show, including the wide 65:24 of an XPan.

2 · Keep horizons straight

A tilted sea or skyline is the easiest mistake to spot and the easiest to avoid. Unless the tilt is clearly deliberate, keep it level.

3 · Simplify

Before you press the shutter, look at the edges and the background, not only the subject. A pole growing out of someone's head, a bin in the corner, a bright sign behind them. Take a step to the side, get lower, or move closer until they're out of the frame. Most strong photos have fewer things in them than weak ones.

4 · Get closer

If a photo feels empty, you were probably too far away. Fill more of the frame with the thing you care about. Walk up to it rather than zooming: moving changes the relationship between the subject and the background, and zooming doesn't.

5 · Change your height

Most photos are taken from standing eye height, which is why most photos look alike. Crouch to a child's or a dog's eye level. Hold the phone low to the ground for a street or a puddle. Shoot down from above for food and patterns.

In Chobial

Each shape asks for something different. 1:1 likes a centred subject and symmetry. 3:2 is the shape of 35mm film and suits almost anything. 65:24 is a panorama: put the subject off to one side and let the space do the work.

Ten frames of one thing

  1. Pick one ordinary subject: a mug, a bike, a tree. Turn on Grid and Level.
  2. Take ten photos of it, each different: dead centre, on a third, from very low, from above, very close, with a clean background, with a busy one, in 1:1, in 65:24, and one wild card.
  3. Look at them side by side in the Library. Pick your favourite two and ask what they have that the others don't.

Last lesson: the thing every photo is made of, light.

Questions

Do I have to follow the rule of thirds?

No. It's a starting point that helps you stop putting everything dead centre. Symmetry, a subject in the middle of a wide empty space, or a subject pushed right into a corner can all be stronger. Learn the rule, then break it on purpose.

Does choosing 1:1 or 65:24 throw away part of the photo?

No. Chobial keeps the whole sensor. The frame lines show you the shape while you compose, and you can change it later with Crop in the editor.

Which lens should I use?

The 1× is the most natural and the best in low light. The 0.5× exaggerates depth and suits interiors and big skies, but stretches faces near the edges. 2× and longer flatten a scene and are kinder for portraits. Zooming with your feet changes the photo more than any lens.