Chobial guide

A graduated filter on iPhone: the linear gradient mask

Landscape photographers carry graduated ND filters: glass that is dark at the top and clear at the bottom, to hold a bright sky back while exposing for the ground. A linear gradient mask does the same thing after the photo is taken, and you can put it at any angle.

A building under a blue sky with a white cloud
Before: Chobial Chrome, no mask.
The same building, with a deeper blue at the top of the sky
After: a gradient from the top down to the cloud.

1 · Draw the gradient

  1. Open the photo, tap edit, choose Masks and tap + New.
  2. Under Draw, tap Linear Gradient.
  3. Drag on the photo from where you want the full effect to where you want it to stop.
The building photo with red over the sky, fading to clear near the rooftop
Full strength at the top, fading to nothing just above the roof.

There are three handles on the photo:

Drag anywhere away from the handles to draw a new gradient.

2 · Settings

Linear gradient, deeper sky

Vibrance+25
Brightness−9

The photo above only needed a small change. It already had a good sky, and the gradient deepens the blue towards the top of the frame, the way a polariser would. For a bright, overcast sky, pull Highlights and Exposure down on the mask instead. That is the classic graduated ND.

Keep the gradient off tall objects. A gradient darkens everything in its band, including the top of a building or a tree that sticks up into it. If that shows, tap Subtract and choose Subject, or paint the object out with a Brush.

Other uses

If the sky has a clear outline, a sky mask is usually more precise. For a round area, use a radial gradient.

Questions

What is the difference between a linear gradient and a sky mask?

A sky mask selects the sky itself, whatever its shape. A linear gradient selects a band of the frame that fades out gradually, whatever is in it. Use the gradient when there is no clear sky, or when you want the edit to fade across the frame.

Can I make the gradient harder or softer?

Yes. Drag the two outer lines closer together for a hard transition, or further apart for a soft one.

Can I use it at the bottom of the frame?

Yes. Drag it in any direction, including upwards from the bottom or in from a side.